
Sherlock Holmes and I read these notices over together at breakfast, and they appeared to afford him considerable amusement.
“I told you that, whatever happened, Lestrade and Gregson would be sure to score.”
“That depends on how it turns out.”
“Oh, bless you, it doesn’t matter in the least. If the man is caught, it will be on account of their exertions; if he escapes, it will be in spite of their exertions. It’s heads I win and tails you lose. Whatever they do, they will have followers. ‘Un sot trouve toujours un plus sot qui l’admire.’”
“What on earth earth is this?” I cried, for at this moment there came the pattering of many steps in the hall and on the stairs, accompanied by audible expressions of disgust upon the part of our landlady.
“It’s the Baker Street division of the detective police force,” said my companion gravely; and as he spoke there rushed into the room half a dozen of the dirtiest and most ragged street Arabs that ever I clapped eyes on.
“‘Tention!” cried Holmes, in a sharp tone, and the six dirty little scoundrels stood in a line like so many disreputable statuettes. “In Reference future you shall send up Wiggins alone to report, and the rest of you must wait in the street. Have you found it, Wiggins?”
“No, sir, we hain’t,” said one of the youths.
“I hardly expected you would. You must keep on until you do. Here are your wages.” He handed each of them a shilling. “Now, off you go, and come back with a better report next time.”
He waved his hand, and they scampered away downstairs like so many rats, and we heard their shrill voices next moment in the street.
“There’s more work to be got out out of one of those little beggars than out of a dozen of the force,” Holmes remarked. “The mere sight of an official-looking person seals men’s lips. These youngsters, however, go everywhere and hear everything. They are as sharp as needles, too; all they want is organization.”
“Is it on this Brixton case that you are employing them?” I asked.
“Yes; there is a point which I wish to ascertain. It is merely a matter of time. Hullo! we are going to hear some news now with a vengeance! Here is Gregson coming down the road with beatitude beatitude written upon every feature of his face. Bound for us, I know. Yes, he is stopping. There he is!”
There was a violent peal at the bell, and in a few seconds the fair-haired detective came up the stairs, three steps at a time, and burst into our sitting-room.
“My dear fellow,” he cried, wringing Holmes’s unresponsive hand, “congratulate me! I have made the whole thing as clear as day.”
A shade of anxiety seemed to me to cross my companion’s expressive face.
“Do you mean that you are on the right track?” he asked.
“The right track! Why, sir, we we have the man under lock and key.”
Birkin knew this. He knew that Gerald wanted to be FOND of him without taking him seriously. And this made him go hard and cold. As the train ran on, he sat looking at the land, and Gerald fell away, became as nothing to him.
Birkin looked at the land, at the evening, and was thinking: ‘Well, if mankind is destroyed, if our race is destroyed like Sodom, and there is this beautiful evening with the luminous land and trees, I am satisfied. That which informs it all is there, there and can never be lost. After all, what is mankind but just one expression of the incomprehensible. And if mankind passes away, it will only mean that this particular expression is completed and done. That which is expressed, and that which is to be expressed, cannot be diminished. There it is, in the shining evening. Let mankind pass away—time it did. The creative utterances will not cease, they will only be there. Humanity doesn’t embody the utterance of the incomprehensible any more. Humanity is a dead letter. There will be a new embodiment, in a new way. Let humanity disappear as quick as possible.’
Gerald interrupted him by asking,
‘Where are you staying in London?’
Birkin looked up.
‘With a man in Soho. I pay part of the rent of a flat, and stop there when I like.’
‘Good idea—have a place more or less your own,’ said Gerald.
‘Yes. But I don’t care for it much. I’m tired of the people I am bound to find there.’
‘What kind of people?’
‘Art—music—London Bohemia—the most pettifogging calculating Bohemia that ever reckoned its pennies. But there are a few decent people, decent in some respects. They are really very thorough rejecters of the world—perhaps they live only in the gesture of rejection and negation—but negatively something, at any rate.’
‘What are they?—painters, musicians?’
‘Painters, musicians, writers—hangers–on, models, advanced young people, anybody who is openly at outs with the conventions, and belongs to nowhere particularly. They are often young fellows down from the University, and girls who are living their own lives, as they say.’
‘All loose?’ said Gerald.
Birkin could see his curiosity roused.
‘In one way. Most bound, in another. For all their shockingness, all on one note.’
He looked at Gerald, and saw how his blue eyes were lit up with a little flame of curious desire. He saw too how good–looking he was. Gerald was attractive, his blood seemed fluid and electric. His blue eyes burned with a keen, yet cold light, there was a certain beauty, a beautiful passivity in all his body, his moulding.
‘We might see something of each other—I am in London for two or three days,’ said Gerald.
‘Yes,’ said Birkin, ‘I don’t want to go to the theatre, or the music hall—you’d better come round to the flat, and see what you can make of Halliday and his crowd.’